"We have argued throughout this book that the various versions of the cultural convergence thesis are deeply flawed, whether one has in mind the ‘media imperialism’ argument that was fashionable during the 1970s, the ‘Coca-colonization’ claim that was popular during the 1990s, or contemporar
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y approaches advocating ‘cultural protectionism.’ The convergence thesis rests on the premise that repeated exposure to the ideas and images transmitted by CNN International, MTV, and Hollywood will gradually undermine indigenous values and norms. Consequently, many deeply conservative cultures fear that opening the floodgates to the American or Western media will erode faith in religion, respect for marriage and the family, and deference toward traditional sources of authority. But earlier chapters demonstrated how lack of access to globalized mass communications persists in many poor nations, limiting the diffusion of Western ideas and images. This book has documented the existence of multiple firewalls that prevent the mass media from penetrating parochial societies and thus influencing the culture in these places." (Page 261)
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"'Radio Journalism' combines an awareness of theory and practice in order to explore what makes radio reporting distinctive, and demonstrates its continuing importance in the news landscape." (Publisher description)
"Through the technique of meta-analysis, this study investigates the scholarly articles appearing in peer-reviewed online and offline journals that address the topic of communication and development from 1998 to 2007 to determine publication trends in the field. The research was prompted by the sens
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e that development was moving off the research agenda of most communication scholars. This seemed surprising in the era of globalization and it was decided to examine the literature for evidence. The study finds that published studies have moved away from mass communication and toward ICTs’ role in development, that they infrequently address development in the context of globalization and often continue to embrace a modernization paradigm despite its many criticisms. In addition, International Communication Gazette was found to be the only mainstream communication journal to include a significant number of articles on development communication." (Abstract)
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"En la selección de términos para incluir en este proyecto, privilegiamos aquellos que tienen una presencia importante en el campo de estudios culturales latinoamericanos y que funcionan como referentes en más de una disciplina. Quedaron afuera una docena de términos que aun si eran importantes
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no parecían cruzar fronteras disciplinarias con tanta plasticidad, o no entraban con frecuencia en los debates del campo. Algunos son conceptos básicos de los estudios culturales contemporáneos (“cultura”, “industria cultural”, “género”, “modernidad”, “poscolonialismo”); otros son términos de resonancia especial para los estudios culturales latinoamericanos (“hibridez”, “latinoamericanismo”, “heterogeneidad”). En general, las definiciones incluyen un resumen de los significados y usos del término en los estudios culturales, una discusión de sus acepciones particulares en los estudios culturales latinoamericanos y, finalmente, una lista básica de lectura sobre el tema. También incluimos una bibliografía general, la cual puede servir como referencia general para el campo." (Presentación, página 10)
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"There is a need to encourage cultural sensitivity in the production and consumption of communication and information contents, thereby facilitating access, empowerment and participation. To this end, action should be taken to: a. Support the production and distribution of innovative and diversified
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audiovisual materials, taking account of local needs, contents and actors, and having recourse as appropriate to public-private partnerships. b. Assess the impact of ICT-driven changes on cultural diversity, with a view to highlighting good practices of multilingual access to written and audiovisual productions. c. Promote media and information literacy for all age groups in order to increase the ability of media users to critically evaluate communication and cultural contents." (Recommendations 5, page 151)
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"Reviews the activities and achievements of a number of African book trade and book promotional organizations, thereafter examines the progress that has been achieved in some areas affecting the book sector, and discusses issues such as the World Bank as a major player in African publishing, digital
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media and African publishing, Internet access by the African book professions, collaboration and knowledge sharing, production quality, research and documentation, and African books in the international market place. The author concludes “while two or three decades ago it might have been correct to describe African publishing as extremely underdeveloped, this is certainly not the picture now. It is true of course that many formidable obstacles and challenges remain, including weak technology infrastructures, high distribution costs, the lack of coherent national book policies, high tariff barriers, illiteracy, extreme poverty, and little disposable income, among them. Nevertheless, significant gains have been made, and there have been several collective efforts to build capacity. Not all of them have been successful, and there have been many setbacks and disappointments too, notably APNET, but it is vital to build on the gains. While both governments and donors have heavily invested in education over the years, support for the book sector and library development, paradoxically, has remained quite dismal for the most part. Sadly, thirty-five years after the Ife conference, most African governments still don’t seem to appreciate that a flourishing book and reading culture is central to, and an indicator of, development in any country." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, nr. 2521, online at http://www.hanszell.co.uk/pbrssa/index.shtml)
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"Advertising, once seen as 'the official art of capitalist society' is an increasingly commonplace component of a characteristically promotional culture. Iain MacRury's Advertising offers the means to explore and evaluate this transition with an introduction to advertising for the contemporary reade
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r. Advertising provides a clear and easy guide to a changing cultural and commercial genre. It explores how advertising can be studied as a cultural industry, and as a sign system, and how adverts and the reception of adverts can be considered drawing on approaches from literary criticism, structuralism, post-structuralism, psychoanalysis and ethnography." (Publisher description)
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"Writing National Cinema traces the twenty-year history of the Peruvian film journal Hablemos de cine alongside that of Peruvian filmmaking and film culture. Similar to the influential French journal Cahiers du cinéma, Hablemos de cine began with a group of young critics interested in claiming the
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director’s use of mise-en-scène as the exclusive method of film analysis rather than thematic or star-oriented topics - hence, the title of the publication, derived from their battle cry at post-screening discussions: “Let’s talk about film.” Their critical authority grew with the rise of local filmmaking and the nationalist fervor of the late 1960s and early 1970s. When government sponsorship spurred feature filmmaking in the mid-1970s, their perspective eschewed the politically militant readings that characterized most writing and film from the rest of Latin America at the time. By the 1980s, the critics at Hablemos de cine had helped to engender a commercial, Hollywood-influenced cinematic vision-best exemplified by Peruvian auteur Francisco Lombardi-and stimulated a unique, if isolating, national identity through film." (Publisher description)
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"La mesure d'audience est au centre de la télévision, au cœur de la relation entre le public et l'offre de programmes. Pour certains, elle constitue un puissant système de consultation du public, exprimant sa demande, sa satisfaction ; pour d'autres, elle n'est qu'un opérateur du marché public
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itaire et n'indique, au mieux, que la réaction à l'offre. Au moment où l'avenir de la télévision généraliste semble menacé par l'évolution technique, cet ouvrage permet de s'interroger de manière claire et pédagogique sur le rôle de l'audience dans les différentes formes de télévision." (Résumé)
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"Rather than being marginal to American popular culture, Catholic people, places, and rituals are all central to the world of the movie. Catholics in the Movies begins with an introductory essay that orients readers to the ways that films appear in culture and describes the broad trends that can be
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seen in the movies' hundred-year history of representing Catholics. Each chapter is written by a noted scholar of American religion who concentrates on one movie engaging important historical, artistic, and religious issues. Each then places the film within American cultural and social history, discusses the film as an expression of Catholic concerns of the period, and relates the film to others of its genre." (Publisher description)
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"One of the best sources for understanding Palestinian culture is the cinema, which has strived to delineate Palestinian history and to portray the daily lives of Palestinian men, women, and children. Here, an Israeli and a Palestinian scholar, in a rare and welcome collaboration, follow the develop
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ment of Palestinian cinema, commenting on its response to political and social transformations. They reveal that the more that social, political, and economic conditions have worsened and chaos and pain prevail, the more Palestinian cinema has engaged with the national struggle." (Publisher description)
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"Neste livro, José Roberto Sadek mostra que as telenovelas são uma maneira moderna de contar histórias. O autor baseia-se em estudos consagrados sobre as narrativas do cinema clássico e os aplica às telenovelas, mostrando ângulos pouco conhecidos. Na primeira parte do livro, traça um breve hi
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stórico da telenovela; na segunda, compara a estrutura dramática do cinema clássico com a das telenovelas; na terceira parte, aborda os personagens principais e secundários; por fim, trata do tempo na narrativa e do espaço em que as cenas se desenvolvem." (Ccontratapa)
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"Estudantes, professores e profissionais da comunicação têm se perguntado e refletido sobre quais seriam as tendências do saber legitimado sobre o campo da comunicação no Brasil. A fim de debater sobre esta questão, a Sociedade Brasileira de Estudos Interdisciplinares da Comunicação mobiliz
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ou acadêmicos pertencentes a distintas gerações. Eles foram desafiados a inventariar e problematizar o estado do conhecimento sobre as disciplinas ou interdisciplinas que integram o universo das ciências da comunicação. Neste livro surgem novos olhares sobre antigas e recentes questões, estimulando os tomadores de decisão a agir com os pés na terra e os formadores de opinião pública a superar idiossincrasias, preconceitos e dogmas." (Casa editorial)
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"Hitherto, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact that the Tamil film industry, based in southern India, has overtaken Bollywood in terms of annual output. This book examines critically the cultural and cinematic representations in Tamil cinema. It o
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utlines its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora. Throughout, the book cogently links the analysis to wider social, political and cultural phenomena in Tamil and Indian society. Overall, it is an exciting and original contribution to an under-studied field, also facilitating a fresh consideration of the existing body of scholarship on Indian cinema." (Publisher description)
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"The representation of the Holocaust in literature and film has confronted lecturers and students with some challenging questions. Does this unique and disturbing subject demand alternative pedagogic strategies? What is the role of ethics in the classroom encounter with the Holocaust? " (Publisher d
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escription)
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