"La Comisión de Verdad y Reconciliación no solo documentó la violencia política de las décadas del ochenta y noventa, sino que también le dio a los peruanos una oportunidad única para examinar las causas y la naturaleza de esa violencia. En El arte después de un pasado fracturado peruano, ac
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adémicos y artistas desarrollan el trabajo de la Comisión, argumentando a favor de ampliar la definición del testimonio para incluir diversas formas de producción artística como evidencia documental. Su enfoque innovador en la representación ofrece perspectivas nuevas y convincentes sobre cómo los peruanos experimentaron esos años y cómo han intentado adaptarse a los recuerdos y legados de la violencia. Los análisis abarcan el arte, la memoria y la verdad que resuenan en toda América Latina tras las “guerras sucias” del último medio siglo. Explorando diversas obras de arte, incluidos monumentos conmemorativos, dibujos, teatro, películas, canciones, retablos y ficción, así como una aclamada novela gráfica, los colaboradores muestran que el arte, no limitado por la verdad literal, puede generar nuevas oportunidades para la comprensión empática y solidaria." (Casa editorial)
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"The spread of social media has an increasing impact on peace mediation. It complicates mediators’ efforts to provide a confidential negotiation space. It also provides opportunities for public communication and consultations, allowing peace mediators to engage with audiences that were previously
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out of reach. It also changes the way conflict parties act, the narratives they advance and in some cases the way they fight wars. It is important for mediators to be aware of these dynamics and to prepare accordingly. Despite the changes, social media are unlikely to revolutionize peace mediation. Present and future, just like in the past, it essentially remains a human-driven activity. Peace mediators engage with parties, building trust between them and helping them reach mutually acceptable agreements in situations when developments in the military and political context allow for it." (Conclusion, page 4)
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"Nouvel ouvrage de la collection Ecritures du Monde, cet ouvrage a été réalisé dans le cadre des rencontres annuelles des Chaires UNESCO en communication ORBICOM. Les objectifs de la rencontre annuelle étaient les suivants : 1) Identifier et analyser les conflits culturels et communicationnels
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à l'échelle de la planète, tels qu'ils sont reflétés dans les différents médias ; 2) Comprendre l'histoire, les contextes et les raisons qui sous-tendent ces conflits et 3) Elaborer des solutions de communication transculturelle et interculturelle pour résoudre les conflits à l'échelle locale, nationale et internationale. Pour assurer la réalisation d'un monde pacifique, de nombreux observateurs estiment qu'il est souhaitable d'adopter et de promouvoir une communication transculturelle et interculturelle orientée vers la paix." (Description de la maison d'édition)
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"Das Gedenken an den Ersten Weltkrieg in Deutschland und Europa ist nach wie vor sehr auf die europäische Perspektive beschränkt. Tatsächlich war der Krieg ein globaler: Millionen Soldaten aus kolonisierten Gebieten nahmen an den Kämpfen teil. Die Kolonialtruppen bildeten ein wesentliches Elemen
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t der Kriegsführung bei fast allen Kriegsparteien. Als Soldaten "zweiter Klasse" erhielten sie allerdings deutlich weniger Sold sowie schlechtere Verpflegung und Ausrüstung. Zudem waren sie während des Krieges und danach rassistischen kolonialen Unterdrückungsmechanismen unterworfen, an deren Fortbestand auch der Kriegseinsatz wenig änderte. In der dominanten Erinnerungskultur wird das Schicksal der Kolonialsoldaten folglich fast vollständig ausgeblendet – auch deswegen, weil das, was sie erlebt haben, oft nur als "oral history" verfügbar war und von der westlichen Geschichtsschreibung nicht berücksichtigt wurde. Dieses Buch widmet sich der Geschichte der Kolonialsoldaten in neun Comics, die auch eine künstlerische Auseinandersetzung mit Möglichkeiten historischer Überlieferung und dem Fortwirken kolonialer Bildproduktion leisten." (Klappentext)
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"Against the backdrop of the war in Syria BBC Media Action produced and broadcast 150 episodes of the radio drama Hay el Matar (Airport District) between 2015 and 2017. Funded by the European Commission as part of a broader project aiming to help build an open and inclusive society in Syria, the dra
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ma and an accompanying weekly discussion programme was available online and on BBC Arabic. Set in a fictional Damascus suburb, Hay el Matar followed the daily lives of residents and featured love affairs, family feuds and tragedies. Each episode was scripted by a team of Syrian writers and touched on a different issue - from violence, radicalisation and migration, to economic insecurity and forced marriage. To understand how listeners engaged with Hay El Matar, BBC Media Action commissioned and trained local non-governmental organisations (NGOs) to conduct focus group discussions with listeners in Syria and Lebanon. We found that the drama prompted listeners to think about topical issues, challenges stereotypes and have a view of the Syrian conflict that extended beyond their own personal experience. It also challenged their assumptions and prompted them to talk about and reflect on other people’s multi-faceted experiences of the conflict." (https://www.bbc.co.uk/mediaaction)
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"This study draws from scholarship in framing theory and mediated collective memories for the analysis of the adoption of official narratives of US President Donald Trump’s Afghanistan policy as ready-made news frames by Afghanistan’s Tolo TV’s popular current affairs program as Tawde Khabare
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(Hot Talks). Collected through purposive sampling technique, a comparative qualitative analysis of selected programs of Tawde Khabare and the text of President Trump’s Afghanistan policy suggests that the post-Taliban US-established Afghan media system has largely adopted and borrowed ready-made news frames and official narratives disseminated by the US government to domestic and global media. The ffindings suggest further that official frames of Donald Trump’s Afghanistan policy received greater acceptability in the Tolo TV coverage of the concerned issue. The study has raised several questions regarding the credibility of the post-Taliban Afghan media system and as do similar systems in other post-conflict societies established though the financial and technical help of the US and allied states after 9/11." (Abstract)
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"The objective of the current study was to determine the frequency and severity of symptoms of posttraumatic stress disorder (PTSD) in journalists covering conflict. Methods: PTSD data (Impact of Event Scale-Revised) collected over an 18-year period from 684 conflict journalists were analyzed retros
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pectively for frequency and severity of reexperiencing, avoidance, and arousal symptoms. Conflicts covered were civil wars in the Balkans ( n = 140 journalists), 9/11 attack in New York City ( n = 46), Iraq war ( n = 84), Mexico drug wars ( n = 104), civil war in Syria ( n = 59), Kenya election violence/Al-Shabab terror ( n = 57), state-sanctioned media intimidation in Iran ( n = 114), and the current migration crisis in Europe ( n = 80).
Results: The mean age of the sample was 38.59 (SD = 8.35) years, 461 (67%) journalists were men, and the mean duration of conflict work was 13.42 (SD = 7.74) years. The 5 most frequently endorsed symptoms were in the reexperiencing/intrusion category. Mean intrusion (1.31, SD = 0.97), avoidance (1.08, SD = 0.89), and arousal (1.07, SD = 0.96) scores for the entire sample were in the mild range. Being female and less educated independently predicted PTSD symptoms.
Conclusions: PTSD phenomenology in a group of conflict journalists with well over a decade of frontline experience is dominated by reexperiencing symptoms. While symptom severity is for the most part mild, group means can obscure those individuals with significantly more severe difficulties." (Abstract)
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"The SAFE (Securing Access to Free Expression) Initiative is IREX’s flagship effort to enable media practitioners and social communicators to work as safely as possible in closed and closing spaces. SAFE serves to equip media practitioners and social communicators with the means to resiliently con
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tinue their important work and manage—as well as mitigate—the risks and threats they face in their day-today work uncovering injustices, reporting on corruption, and holding authorities accountable [...] The purpose of the SAFE Basic Training Master Curriculum is to share the SAFE training methodology for use by media practitioners, social communicators, civil society organizations, and non-governmental organizations, as well as others around the world working on journalist safety issues. To achieve this, SAFE harnessed the knowledge from the regional training teams and their nearly five years of experience. Based on this knowledge, SAFE compiled this Basic Training Master Curriculum to deliver security trainings around the world." (Page 1, page 4)
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"In the states, like Ethiopia, where internal conflicts, mainly ethnic conflicts, have currently been appearing in many parts, a medium that deals with those issues appropriately is vital. Among the three main media branches, such as public service, commercial, and community radio, the later can be
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described as an appropriate medium that can, perhaps, bring not only possible timely solutions to the cases but also some social changes in the society. This is because the nature of the community radio, which is close to the societies and covers the issues immediately, can serve the people well by raising directly relevant issues in relation to conflict and peace. By taking some cases from Ethiopia, it is the purpose of this chapter to show how community radio is a best platform in dealing with internal conflicts in particular and social issues in general in the marginalized societies that are vulnerable to various social and political problems." (Abstract)
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"El presente trabajo de educación y construcción de paz pretende que los medios de comunicación públicos, específicamente las radios comunitarias, se conviertan en escenarios propicios para que las comunidades que han sufrido el conflicto armado de los últimos cincuenta años en Colombia pueda
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n contar sus relatos y construir a través de sus propias experiencias nuevas formas de vida que den pie a la reconstrucción del tejido social. Se desea que las comunidades reconozcan, por un lado, la gran importancia que tienen los medios públicos de comunicación en general y la radio comunitaria en particular en el contexto cotidiano y, por otro, el papel que esta debe desempeñar en el posconflicto. Es a estas comunidades —marginadas en la mayoría de los casos— que corresponde promover la integración de sus ciudadanos mediante estrategias de aceptación de las diferencias y de creación de entornos de paz y reconciliación. Aquí es preciso resaltar que estos procesos apuntan al empoderamiento de las comunidades, de forma tal que aquellos interesados se conviertan en líderes transformadores y constructores de paz a partir del desarrollo de capacidades comunicativas que se orienten hacia la promoción de la participación ciudadana, la transformación de los conflictos y la creación de redes de cooperación en el posconflicto." (Página 2)
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"This publication is a glossary of alternatives to negative words and phrases, and draws upon the experiences and expertise of both Greek Cypriot and Turkish Cypriot journalists. It aims to encourage sensitive communications, to promote the sharing of stories and experiences, and, eventually, to hel
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p ease tensions." (Foreword, page iv)
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"Becoming the Story examines the transformation of war reporting in the decade after 9/11. Lindsay Palmer delves into times when print or television correspondents themselves received intense public scrutiny because of an incident associated with the work of war reporting. Such instances include Dan
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iel Pearl’s kidnapping and murder; Bob Woodruff’s near-fatal injury in Iraq; the expulsions of Maziar Bahari and Nazila Fathi from Iran in 2009; the sexual assault of Lara Logan; and Marie Colvin’s 2012 death in Syria. Merging analysis with in-depth interviews of Woodruff and others, Palmer shows what these events say about how post-9/11 conflicts transformed the day-to-day labor of reporting. But they also illuminate how journalists’ work became entangled with issues ranging from digitization processes to unprecedented hostility from all sides to the political logic of the War on Terror." (Abstract)
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"Between October and December 2018, Internews carried out a rapid assessment in Kyangwali to examine two key issues: the settlement’s information ecosystem, and the formal and informal justice system operational in the settlement and available particularly to survivors of sexual and gender-based v
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iolence (SGBV). The information ecosystem assessment sought to examine communication channels employed and trusted by refugees in Kyangwali as well as languages spoken by refugees, levels of literacy among refugees, and information needs and gaps. Internews also examined the community engagement and communication strategies applied by humanitarian agencies servicing refugees in Kyangwali. Finally, Internews sought to understand the technical capacity of media partners serving the district where the refugee settlement is located in producing high-quality human rights and SGBV – related programming. In addition to the information ecosystem assessment, Internews undertook a mapping exercise to identify credible formal and informal justice mechanisms and other services available to refugee survivors of SGBV within and outside Kyangwali settlement." (https://internews.org)
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"[This publication] seeks to create a deeper understanding of the role of media interventions as strategic drivers of impact on the ongoing Syrian crisis. In exploring the impact of media interventions in this context, we conducted a landscape scan and a review of programs and approaches conducted b
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y FilmAid, the nonprofit organization that collaborated with us on this paper. The landscape scan indicates the prevalence of awareness raising activities, with an emphasis on the goal of sustaining or increasing funding. The landscape of projects on Syria is not particularly diverse. Our analysis indicated first, a need for increased transparency in funding and program evaluation, and second, that there is a gap and opportunity in the field for community-centered and impact-driven communications. We analyzed FilmAid’s programs in Kenya and Jordan to understand how entities in the landscape might fill the market gap on community-led narrative. FilmAid’s work in Kenya is ongoing and the organization’s participatory approach has allowed the organization to build a profile as a trusted organization. By engaging the population in media creation in combination with strong media and audience-focused expertise, FilmAid has been able to increase knowledge on topics such as health, education, gender and cash-transfers. Based on interviewee insights on the use of strategic narrative interventions in conflict and crisis situations, particularly in long-term displacements and effective community- and impactdriven media interventions such as those in Kenya, we drew out guidance on what media interventions can offer to Syrian refugees as the crisis deepens and becomes a protracted complex emergency." (Executive summary)
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"Esta investigación tiene como objetivo determinar los alcances y las limitaciones que tienen las organizaciones de prensa colombianas al momento de preparar a los periodistas para cubrir y afrontar el proceso de posconflicto, derivado del Acuerdo Final para la Terminación del Conflicto y la Const
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rucción de una Paz Estable y Duradera firmados entre el Gobierno Nacional y las Fuerzas Armadas Revolucionarias de Colombia FARC. Por lo tanto, analiza las acciones llevadas a cabo por las organizaciones de prensa dirigidas a afrontar este nuevo escenario y a la vez estudia la percepción de algunos periodistas del país frente a estas acciones. Con esto en mente, se hizo una comparación entre dichas acciones y las percepciones de los comunicadores para comprender hasta dónde puede llegar el trabajo de las organizaciones de prensa, los vacíos existentes, los retos y las metas que tienen para afrontar el posconflicto." (Resumen)
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"Visual Imagery and Human Rights Practice examines the interplay between images and human rights, addressing how, when, and to what ends visuals are becoming a more central means through which human rights claims receive recognition and restitution. The collection argues that accounting for how imag
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es work on their own terms is an ever more important epistemological project for fostering the imaginative scope of human rights and its purchase on reality. Interdisciplinary in nature, this timely volume brings together voices of scholars and practitioners from around the world, making a valuable contribution to the study of media and human rights while tackling the growing role of visuals across cultural, social, political and legal structures." (Publisher description)
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"Les médias reflètent-ils les sociétés telles qu’elles sont aujourd’hui ou bien ne reflètent-ils que les tendances majoritaires ? Comment mettre en lumière les différences et les particularismes sans encourager le communautarisme et contribuer aux divisions ? Le rôle des médias est-il d
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e rapporter les faits ou de contribuer activement à une certaine vision de la société ? Les critères professionnels du journalisme sont-ils suffisants pour éviter les discours de haine et les messages exacerbant les tensions communautaires ? Lancé par CFI et le centre SKeyes pour la liberté de la presse et de la culture (de la Fondation Samir Kassir), le projet Naseej – qui signifie « tissage » en arabe – s’appuie sur les médias pour restaurer et maintenir un débat équilibré autour de ces questions. En examinant ce que les médias libanais, syriens et irakiens publient et diffusent, le langage utilisé, les concepts promus, les groupes qui y sont représentés et ceux qui ne le sont pas, Naseej tente de promouvoir une vision inclusive du journalisme. L’objet n’est pas de demander aux journalistes de restaurer la paix ou d’éviter les conflits, mais de contribuer à l’émergence de conditions plus propices au dialogue à travers une meilleure qualité d’information vérifiée et professionnelle, évitant les généralisations et les stéréotypes. Il n’est pas de demander aux médias d’accorder un traitement privilégié aux minorités face à la majorité, mais de mettre en lumière les difficultés auxquelles font face les citoyens, tous les citoyens, quelles que soient leurs appartenances. Ce livret présente la synthèse d’une étude, réalisée en octobre 2017, sur la couverture médiatique de la diversité dans les médias irakiens, libanais et syriens, réalisée par la Fondation Adyan et la Fondation Samir Kassir." (Introduction)
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"The Center for Media, Data and Society has curated a series of lectures addressing the challenges and the future of public media titled Public Media Institutions at a Crossroads: Visions, Strategies, Tactics. The speakers and themes have included a multi-dimensional outlook on what PSM institutions
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, and public media more generally, are and can be [...] This white paper is an extended reflection on the theme of the speaker series, focusing on a specific challenge for public service media: “fake news” and disinformation, or more broadly, the current “information disorder”. The paper draws from the outlined problems and threats, as well as opportunities, strategies, and tactics discussed in the above presentations when documenting how PSM institutions around Europe have tackled the challenge. The paper builds on a background report (April 2018) for the ongoing work by the Council of Europe." (Pages 3-5)
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