"This article examines public perceptions of the news and information sector in Bosnia-Herzegovina. Since the signing of the Dayton Peace Accord in late 1995, the international community has donated millions of dollars to foster free and fair media. This research explores the media transition in Bos
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nia through a four-year longitudinal study. The research design measured public perceptions (N = 1689) of the realism, importance and credibility of news outlets in the two major media centers: Banja Luka and Sarajevo. The findings suggest that over time Bosnians are relying less on politically motivated news outlets. Moreover, some independent media have emerged as both important and credible sources for news and information." (Abstract)
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"Kurze Darstellung und "lessons learned" von 7 Fallbeispielen, v.a. Radiosendern. Der Autor stellt u.a. fest: "Medienprojekte werden von westlichen NGOs erst dann gestartet, wenn ein gewaltsamer Konflikt vorbei ist. Medienprojekte mit ausgesprochenem Präventionscharakter sind nahezu unbekannt, auch
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wenn sie dringend nötig wären" (Seite 39). Er empfiehlt u.a. eine "Revitalisierung" der früheren GTZ-Medienarbeit, denn diese stelle eine "gelungene und international renommierte Mischung aus professioneller Beratung bei der Institutionalisierung von demokratischen Mediensystemen und Sozialarbeit mittels Medien" (Seite 47) dar." (commbox)
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"Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual "Close-up" award from the Yugoslav Film Institute in 1986 for "outstanding scholarship and for promoting the values of Yugoslav film art internationally." This new edition has been revised and updated
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throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia." (Publisher description)
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"The bloody conflicts of the past decade have focused international attention on the strategic role of the media in promoting war and perpetuating chaos. Written against this backdrop, Forging Peace brings together case studies and legal analysis of the steps that the United Nations, NATO, and other
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organizations have taken to build pluralist and independent media in the wake of massive human rights violations. It examines current thinking on the legality of unilateral humanitarian intervention, and analyzes in graphic detail the pioneering use of information intervention techniques in conflict zones, ranging from full-scale bombardment and confiscation of transmitters to the establishment of new laws and regulatory regimes. With its focus on the role of media in preventing human rights violations, Forging Peace will influence policy and debate for years to come." (Publisher description)
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"Taking 14 radio serial dramas from around the world shows that many aspects of the way they are organised are not replicable: what works in one context would just not work in another. This is because of the very nature of pro-social media projects: they depend so much on the personal contacts of th
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e producers, and the specific needs and tastes of the target audience. A successful model for one country may well not work in another, simply because there are so many variables. Having presented this caveat, the following is a list of replicable features gleaned from the 14 projects studied. More detail about how these features work in practice can be found in each case-study. The features have been selected because they either show up strongly across all projects, have been singled out by project-holders as the key to their success, or because they seem to have the potential for translating across countries and sectors." (Recommendations, page 21)
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"In this study Sandra B. Hrvatin analyzes the public institution RTV Slovenia and the main problems related to it - funding, public control and fulfilment of the public role - and draws comparisons with other public broadcasters across the world. She concludes that RTV Slovenia is in crisis and sugg
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ests that it cannot be successfully resolved unless certain questions relating to the role and significance of contemporary public service broadcasters are answered first. "To support PSB today means to support the option of an open communication space in which all citizens, no matter what their material wealth or communication competence, will have access to communication channels and a chance to influence programming and content." (Summary, page 6)
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"In this study the author presents self-regulation as a part of a wider subject, that is, freedom of speech, arguing that self-regulation does not intrude on this freedom beyond the limits set by democracy, and that, compared to legislative solution, it is a much more friendly way of implementing th
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e principle that one person's freedom is limited by another person's freedom. What is important is that the media are aware of the power they enjoy. The author gives several examples that illustrate where abuse of that unruly power can lead and argues that it is much better if media themselves hold it at bay and thus avert state's interference with an intention of compelling them to do so. The book recapitulates various views on media accountability and mechanisms reinforcing it, already widely discussed in public. It also looks into the current state of affairs in Slovenia despite the risk that time and further developments in this field may soon cancel out present conclusions. The frame of debate on the establishment of a press council in Slovenia could serve as a useful example for others. The existing Ethics Commission in Slovenia, whose past performance could have paved the way for an elaborate form of self-regulation, unfortunately proved to be an obstacle. The idea about a tripartite press council arose in some a feeling that a press council would be set against the ethics commission itself, even though, to the contrary, it could primarily advance the present work of this commission. The study therefore does not argue that existing ethics commission is needless, but rather points to the ideas about co-regulation that have recently emerged in the EU. They could lead to the shifting of the center, meaning that voluntary self-regulation, which advances media accountability and through it also professional conduct, could be taken away from the media and placed in the hands of users. The protection of professional standards would thus be transformed into the protection of consumer rights." (Summary, page 7)
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"In Making Her Up, the authors try to elucidate the precise ambivalence of the image of the modern woman, which is (un)wittingly created by the producers of women’s magazines in co-operation with capitalistic advertising mechanisms and, not least, their own readers. Through the discourse and conte
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nt analysis of a diverse selection of Slovenian women’s magazines (Cosmopolitan, Jana, Modna Jana, Glamur, Naša žena, and Moj malcek), the writers have uncovered a few representative topics: the contradictory contents of ‘universal women’s culture’; the phenomenon of subtle advertising, with its inexhaustible options among the various types of magazines; fashion as the main theme of each and every one of these magazines; the disciplining of a woman’s mind through the disciplining of her body; cosmetics advertisements; medicine, pregnancy, birth, and the cult of motherhood, which still prevails over the image of the independent, successful, emancipated woman." (City of Women)
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"This book documents the 16th conference of the international audience research association CIBAR that was held at the Deutsche Welle headquarters. Experienced experts give first-hand accounts of their work and show perspectives for the future." (Back cover)