"El kit se conforma de varios recursos para facilitar la tarea de los y las radialistas, tanto para la producción periodística previa a cada programa, como para el desarrollo del programa en sí. Se contempla como un eje de fundamental importancia la participación de la audiencia, y en ese sentid
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o, se incorpora varias sugerencias para lograr dicho objetivo. Los temas desarrollados en este kit, son de gran relevancia para la discusión con la ciudadanía en el marco del proceso electoral, tales como: proceso electoral abril 2013; democracia; política y participación política; participación política de las mujeres en Paraguay; políticas públicas; derechos humanos: los derechos económicos, sociales, culturales y ambientales (DESC); el derecho a la comunicación; la tierra en Paraguay. La estructura de cada tema se compone básicamente de un breve desarrollo teórico, una guía para el uso antes y durante los programas radiales, los microprogramas sobre cada tema, y un apartado en donde se explica en qué consiste cada una de las técnicas y formatos sugeridos para promover la participación de la audiencia, invitados e invitadas al programa. La información utilizada en el breve desarrollo teórico de los temas es una recopilación y posterior selección de publicaciones de diferentes organizaciones y autores, principalmente de la organización Decidamos, Campaña por la Expresión Ciudadana. En el apartado de fuentes y bibliografía de este kit se menciona detalladamente. Es importante mencionar que este Kit conto con el valioso aporte de validación en una jornada taller con las y los representantes de las 16 radios comunitarias involucradas, generando sugerencias, nuevos aportes y recomendaciones que garantizan una mayor adecuación del material, al uso de las y los radialistas desde su realidad comunitaria y práctica radiofónica." (Presentación del material, página 9)
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"This is a basic manual for audio streaming and establishing a web radio station. Web radio is an increasingly popular, low-cost option for community radio. The manual outlines how web radio works, explaining the components involved and the roles they play, and giving details about the requirements
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for setting up a web radio station, software options and cost implications. Chapter 5 introduces an emerging technology called mobile radio that allows a station to operate radio over mobile phone calls. The final sections provide references to open source software tools and other resources." (CAMECO Update November 2013)
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"This guide starts with "the three principles of visual communication": Humans are visual first, verbal second; our decisions and actions are based more on emotional reactions than rational thought; visuals are the most effective communications vehicles for evoking emotion and getting people to take
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action. It then presents "Seven Rules of the Road" for those seeking to maximise the impact of visuals: 1. Don't assume others will react to a picture or video the same way you do. Test visuals with your intended audience. (Cost-effective strategies are offered for how to carry out such testing). 2. Pair your pictures with words for highest impact and to cement them deeper into your audience's memory. 3. Make sure your images match your message. 4. Use genuine, not generic, pictures. 5. Invest the most in the first picture your audience sees, and in overall design quality. 6. To use pictures effectively, be diligent about taking them and storing them for easy sharing. 7. Choose your subjects carefully." (commbox)
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"This is a guide of sorts, presenting a collection of terms used on both sides, which in some contexts may be regarded as loaded or biased, or whose meaning is often misunderstood, or which can be misleading. These are words the use of which is liable to give away the reporter’s communal identity
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or sympathies. There are words that can cause some audiences to simply shut down and stop listening. Our goal is to expose potential linguistic pitfalls, so that those covering the conflict are aware of how their words might be received. The handbook tries to present reasonable alternatives to the loaded terms and is meant to serve as a tool for journalists trying to find their way in the typically complicated terminology of the conflict. It was written not only for the sake of Israeli and Palestinian journalists but also for foreign reporters, with the intention of honing and increasing their awareness of problematic terminology that they might employ, or that they might find in use by actors on both sides of the conflict." (Editor's note)
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"This guide details what journalists need to know in a new and changing world. It is aimed at local and international journalists of varied levels of experience. The guide outlines basic preparedness for new journalists taking on their first assignments around the world, offers refresher information
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for mid-career journalists returning to the field, and provides advice on complex issues such as digital security and threat assessment for journalists of all experience levels." (Introduction)
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"This Course Handbook has been produced to accompany the USAID/NDI/IWPR Course in Election Reporting, which is being run for Malawian journalists in the run-up to the 2014 Elections. The Handbook, which follows the day-by-day course programme, contains copies of the slides used during the course plu
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s a great deal more supporting material. In particular, given that the majority of the participants in the course come from radio stations, we have included detailed advice about radio journalism. However, it is important to note that the material presented in text boxes throughout the text represents PowerPoint presentations and can be best understood in the context of the course itself." (Introduction)
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"The guidelines are intended to ensure that all actors who play a role in facilitating or engaging in media reporting on gender-based violence (GBV) are aware of and able to prioritize the ethical and safety considerations that preserve the safety, confidentiality and dignity of survivors, their fam
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ilies, their communities, and those who are trying to help them. The audience for these guidelines is two-fold: first, the guidelines are meant to support those actors who are working in humanitarian contexts to address the needs of GBV survivors, e.g. as part of a UN, NGO or Government entity, including senior management of these organisations. Second, the guidelines propose best practices for journalists and other media professionals who are reporting on GBV in emergency contexts." (Page 1)
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"Adopting a cradle-to-grave approach, the book explores green raw materials and green design, and how eco-friendly practices can be integrated into prepress, printing, distribution, and even "beyond the door," in relation to returns. The Green Design and Print Production Handbook looks at the global
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context and frameworks for action, the unique challenges facing the industry--be it book, magazine, or newspaper publishing, or print for packaging and promotion--and how it can respond. This book is for anyone who works with print, from publishers, printers, distributors, and retailers to writers, editors, designers, and sales reps. Explaining how sustainable processes can be achieved without damaging the bottom line, it also introduces eco-friendly working practices that will benefit your business." (Publisher description)
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"Ethical reporters and editors must strive to tell the truth with courage, fairness and balance, open to the possibility that their reporting may lead to a story that varies with their initial concept. They do not give pre-eminence to the government or official version of events, but give voice to t
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he voiceless, seeking out unofficial sources and people on the ground. They offer all parties to a conflict or dispute the chance to have their say and present their views fairly and objectively, and they do not skew comments to advance a particular point of view or agenda. They should not withhold relevant information in order to bolster or undermine a given point of view. They should not doctor photos or documents to distort their meaning. Ethical reporters and editors make every effort to give those named in stories the opportunity to respond to allegations of wrongdoing, and they report the results of those efforts within their news stories. They credit other publications and writers as appropriate, and never plagiarize. Where information is obtained through social media, they acknowledge its use and strive to insure the authenticity of sources and information obtained." (Page 4)
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"By definition, development stories are big news in developing countries. The problem is media reports are typically just government announcements of infrastructure development – roads, bridges, hospitals, etc. – and official claims that lives will improve. Those articles turn off the reading an
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d viewing public, and that has some editors pulling their staffs off this important coverage. But there can be much more to these stories. Here are 10 tips from Edem Djokotoe, Knight International Journalism Fellow in Malawi in 2010 and 2011. Djokotoe’s advice stresses less jargon and more people, impact and original reporting. It reminds us that we are writing for ordinary people – not development “experts” – to show them the implications of the events unfolding around them." (Page 1)
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