"Über Kriege und Krisen so zu berichten, dass Leser, Hörer und Zuschauer sich ein angemessenes Bild von den komplizierten und häufig leidvollen Ereignissen machen können, erfordert besondere journalistische Qualifikationen. Die wichtigsten Voraussetzungen und Regeln eines qualitätsvollen Journa
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lismus werden in diesem Handbuch vorgestellt. Mehr als 70 erfahrene Journalisten und renommierte Wissenschaftler beschreiben praxisnah, verständlich und kompakt, was Redakteure und Reporter wissen müssen, um über Kriege und Krisen angemessen berichten zu können. Behandelt werden u. a. Vorbereitung und Ausrüstung, die besonderen Anforderungen an die Recherche in Konfliktregionen, sprachliche und ethische Aspekte, PR-Strategien und militärische Grundkenntnisse sowie die Folgen der Kriegs- und Krisenberichterstattung. Das Handbuch richtet sich an Reporter und Korrespondenten, die in Krisen- und Kriegsgebieten tätig sind, und bietet Hintergrundwissen für Auslands-, Politik- und Nachrichtenredakteure, die ebenfalls mit Kriegen und Krisen als Themen der Berichterstattung konfrontiert werden." (Verlagsbeschreibung)
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"This book is based on conclusion that ethics are nothing but a series of moral qualities. The first chapter, apart from tracing the history of ethics and throwing some light on the concept as such, tries to define ethics. The second chapter outlines the efforts surrounding enforcement of ethics in
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Nepalese journalism apart from reviewing the implementation them. Apart from defining community radio, the third chapter deals in detail with issues related to ethics in community mass media and related areas. In the fourth chapter, since ethics is not a basic or relative law, effort has been made to point out that ethics can undergo changes with time. Fifth chapter tries to incorporate laws which are attracted in the course of information dissemination. The sixth chapter carries differing ethics rendered into Nepali. That will contribute to the task of carrying out comparative analyses. Together with this, a compilation of the ethics enforced in Nepal until now have been carried as annexures." (Foreword)
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"Community broadcasters are united by six guiding principles. We will work to:
1. Promote harmony and diversity and contribute to an inclusive, cohesive and culturally-diverse Australian community
2. Pursue the principles of democracy, access and equity, especially for people and issues not adequate
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ly represented in other media
3. Enhance the diversity of programming choices available to the public and present programs that expand the variety of viewpoints broadcast in Australia
4. Demonstrate independence in programming as well as in editorial and management decisions
5. Support and develop local arts and music
6. Increase community involvement in broadcasting.
Throughout the Codes, community broadcasting licensees are referred to as ‘we’ or ‘our’. The terms are legally binding." (Guiding principles, page 3)
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"Following the money trail has become an increasingly global undertaking that requires new tools for obtaining, analyzing and interpreting the data. This handbook highlights a few methods that can be used by investigative journalists to track companies across borders. It also points out tips and tri
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cks investigators can use to effectively untangle complicated company ownership schemes. Attached to this report is a list of national and international databases that can be used by investigative journalists who want to track down companies across borders." (Introduction, page 4)
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"Con este tercer manual, Comunicación y Comunicadores Indígenas, reafirmamos nuestra certeza en que la educación, la comunicación y la información constituyen procesos dinámicos e interactivos permanentes, en los que el aprendizaje y la enseñanza son recíprocos entre las partes. En este nues
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tro rol de apoyo y acompañamiento desde la comunicación a las organizaciones indígenas sentimos que hemos aprendido, tan igual como hemos enseñado y compartido. Con esta publicación cerramos un pequeño ciclo de trabajo y abrimos otro en el que aspiramos a contribuir de una manera más segura a la unidad, al fortalecimiento y al respeto de los pueblos indígenas y sus organizaciones representativas, alentando su protagonismo. Por eso, la difusión del manual irá acompañada -en la medida que los recursos humanos y financieros lo permitan- de jornadas de capacitación presencial en sesiones de trabajo descentralizadas con los comunicadores indígenas. El hecho de que ahora estén organizados en la Red de Comunicadores Indígenas del Perú (REDCIP) facilitará, sin duda, esta labor." (Presentación, página 10)
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"Chapter 1 sets the scene for this book, looking in a broad-brush way at how the Internet and related technologies have changed journalism and media. It notes how audiences are fragmenting in an environment of excess information, and considers the boom in online advertising relative to mainstream me
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dia revenues. It also discusses the way that the Internet threatens traditional commercial media business models. All of the chapters that follow are more hands-on and specific. Chapter 2 shows how to use various parts of the Internet such as the UseNet and listservs to generate story ideas that are beyond the often PR-generated news agenda, and how to find experts to interview for those stories. Chapter 3 does the same with blogs and related new media such as moblogs and podcasts. Chapter 4 considers the issue of citizen or participatory journalism and discusses how this phenomenon, often called audience-generated content, relates to newsgathering and the future of journalism. Chapter 5 looks beyond the usual suspects such as Google and offers ways to use the Internet technologies to find background information for stories. Chapter 6 works from the premise that the multimedia reporter will need to adopt different information-gathering processes compared with the mono-media reporter, and shows how to do that. Chapter 7 looks at how to assess the quality and veracity of information we find on the Internet. Technologies give us access to a vast amount of data, but how reliable and accurate are those data? Chapter 8 shows how to develop a beat using the Internet. It offers strategies for developing an area of expertise. Chapter 9 reflects the generosity of journalists on the Internet. It introduces the vast array of resources that reporters have made available for their colleagues around the world. Chapter 10 considers the legal implications of gathering information online and reporting news on the web. Chapter 11 shows how to do deeper forms of journalism using the Excel spread sheet and drawing on the wide range of statistics available on the Internet." (Pages xi-xii)
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"[This book] gives you ideas for building an emergency radio network (ERN) for your community. An ERN uses small Family Radio Service (FRS) radios or combined FRS/General Mobile Radio Service (GMRS) radios for members of the community. The community relay station can be (1) a basic or "fancy" ham st
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ation, (2) a GMRS station, (3) a basic amplitude modulation (AM) or "fancy" single sideband (SSB) Citizens Band (CB) station, or (4) a ham station using near vertical incidence skywave (NVIS). 'Community Eergency Radio Networks' makes planning your community ERN easy. It has easy-to-use tables (known as coverage planning tables) for your suburban or rural community depending on wether you're located on a smooth plain, in a hilly area, or in a mountainous area. The book also has guidelines to help you set up an effective ERN in a city." (Back cover)
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"Destiné tant aux étudiants en journalisme qu'aux professionnels désireux de coller à l'actualité de leur métier, ce livre propose un diagnostic précis de la crise journalistique et des méthodes pragmatiques pour adapter les technologies de l'information aux exigences les plus urgentes de ce
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métier: reconstruire la fiabilité du journalisme, capter et fidéliser les audiences par l'interactivité." (Description de la maison d'édition)
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"As Alan Rosenthal states in the preface to this new edition of his acclaimed resource for filmmakers, Writing, Directing, and Producing Documentary Films and Videos is “a book about storytelling—how to tell great and moving stories about fascinating people, whether they be villains or heroes.
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In response to technological advances and the growth of the documentary hybrid in the past five years, Rosenthal reconsiders how one approaches documentary filmmaking in the twenty-first century. Simply and clearly, he explains how to tackle day-to-day problems, from initial concept through distribution. He demonstrates his ideas throughout the book with examples from key filmmakers’ work. New aspects of this fourth edition include a vital new chapter titled "Making Your First Film," and a considerable enlargement of the section for producers, "Staying Alive," which includes an extensive discussion of financing, marketing, festivals, and distribution. This new edition offers a revised chapter on nonlinear editing, more examples of precise and exacting proposals, and the addition of a complex budget example with explanation of the budgeting process. Discussion of documentary hybrids, with suggestions for mastering changes and challenges, has also been expanded, while the “Family Films” chapter includes updated information that addresses rapid expansion in this genre." (Publisher description)
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"The use of comics as a campaigning tool for grassroots organisations is a relatively new phenomenon and has been tested so far only in India, some other South Asian countries and in a few countries in Africa. This manual on the creation of comics as a medium for communication of development ideas s
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hares the experiences the authors gained in seven countries. It gives a number of examples of comics from these countries, photographs from workshops on grassroots comic creation, and manuals that demonstrate how to approach this communication medium with local non-governmental organisations (NGOs) or with community members. It explains how to make wall poster comics, booklet comics, strips, and accordion folded mini comics for local distribution - at meeting places, bus stops, shops, offices, schools, on notice-boards and electricity poles, etc. Reproduction methods include: photocopying for issues up to 30-40 copies, screen printing for issues from 100 copies upwards, and offset printing for issues from 200-300 copies upwards." (CAMECO Update 4-2008)
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"Isis International-Manila welcomed the suggestion of Min-WoW to collaborate on a project on engendered peace journalism and community radio. Thus, the project, “Women Making Airwaves for Peace,” was conceptualized based on the media experiences of Min-WoW and Isis’ experience on community rad
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io in Asia Pacific. Canada Fund for Local Initiatives provided the necessary financial support to implement the project. This primer “Engendering Peace Journalism: Keeping Communities Whole” combines the two organizations’ expertise in monitoring and analyzing media from a Southern feminist perspective together with experiences of the women from the three training activities conducted in North-Western Mindanao, Philippines in 2006-2007. Practitioners from both mainstream and community and independent media, women’s and peace NGOs and grassroots organizations attended the training." (Preface)
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